| BIOGRAPHY | | |
| Born 1972, Boston MA |
| Lives and works in Brooklyn, NY |
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| EDUCATION |
| 2005 | M.F.A., Columbia University, New York, NY |
| 1996 | B.F.A., The School of the Museum of Fine Arts/Tufts University,Boston, MA |
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| PUBLIC COLLECTIONS |
| | Los Angeles County Museum of Art |
| | The Museum of Contemporary Art, Los Angeles |
| | The Metropolitan Museum of Art, New York |
| | Seattle Art Museum |
| | FRAC (Fonds Regional d'Art Contemporain), France |
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| SOLO EXHIBITIONS |
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| 2010 | "Highlands", Sutton Lane, Paris |
| | "Nature Morte", Miguel Abreu Gallery, New York |
| 2009 | "Momentum 13: Eileen Quinlan", The Institute of Contemporary Art(ICA), Boston, MA |
| 2008 | "Downtime", Overduin and Kite, LA |
| | "Fahrenheit and Stone Roses", Sutton Lane, Paris |
| | "Puccio Onyx", Galerie Daniel Buchholz, Cologne |
| | Art Statements with Sutton Lane, Art|39|Basel, Basel, Switzerland |
| 2007 | "Photographs", Miguel Abreu, New York |
| 2006 | "Eileen Quinlan", Sutton Lane, London |
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| SELECTED GROUP AND TWO-PERSON EXHIBITIONS |
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| 2010 | "Crystalline Architecture", Andrea Rosen Gallery, New York |
| | "Picture Industry (Goodbye to All That)", organised by Walead Beshty, Regen Projects, Los Angeles |
| | "50 Artists Photograph The Future", curated by Dean Daderko, Higher Pictures, New York |
| | "Blind Mirror", Galleria Raucci/ Santamaria, Naples, Italy |
| 2009 | "Kings County Biennial", Dustin Yellin Gallery, Brooklyn, New York |
| | "Abstraction and Materialist Praxis in Contemporary Photography", organized by the Die Storung Collective, Guinea Kunstraum Hoey-Wasow, Rhinebeck, New York |
| | "I'm So Sad, My God", curated by Martha Kirszenbaum, International Studio & Curatorial Program, New York |
| | "Collatéral" (with Liz Deschenes, Sam Lewitt, Scott Lyall, Sean Paul, Blake Rayne, Nora Schultz, Cheyney Thompson), Le Confort Moderne Ð Centre pour lÕArt Contemporain, Poitiers |
| | "Surface Tension: Contemporary Photographs from the Collection", The Metropolitan Museum of Art, New York |
| | "Correspondences: Jan Groover/ Eileen Quinlan", curated by Matthew Higgs |
| | "Krobath", Vienna Galerie Krobath, Vienna |
| | "Constructivismes!", curated by Oliver Renaud-ClŽment, Galerie Almine Rech, Brussels |
| | "Slow Movement Oder: Das Halbe und das Ganze", Kunsthalle Bern, Switzerland |
| | "To be determined", Andrew Kreps Gallery, New York |
| | "Photography in the Abstract", organized by Maureen Mahony, Lora Reynolds Gallery, Austin, TX, |
| | "Crystalline Architectures", organized by Josiah McElheny, Andrea Rosen Gallery, New York |
| | "Practice vs. Object", organized by Margaret Liu Clinton, Miguel Abreu Gallery, New York |
| | "On From Here", Guild & Greyshkul Gallery, New York |
| 2008 | "The Empty Page", James Fuentes LLC, New York |
| | "Hermann's Grid", curated by Gareth James, Franco Soffiantino Arte Contemporanea, Turin, Italy |
| | "Not so Subtle Subtitle", curated by Matthew Brannon, Casey Kaplan Gallery, New York, NY |
| | "From Brooklyn With Love", curated by Allun Williams, Parker’s box Gallery, Brooklyn |
| | "Every Picture Tells a Story ... or at Least Is a Picture", curated by Jo Jackson and Chris Johanson, Small A Projects, Portland, Oregon |
| | "Portfolio Project #2", published by Dispatch, New York, NY |
| | "Update", curated by Matthew Higgs, White Columns, New York, NY |
| | "Eat the Document", Larissa Goldston Gallery, New York |
| | "Mirror, Mirror", Edward Thorp Gallery, New York |
| 2007 | "Regroup", Miguel Abreu, New York |
| | "24 November - 22 December", Sutton Lane, Paris |
| | "Form as Memory", Miguel Abreu, New York |
| | "Seriality", Shane Campbell, Chicago |
| | "Undone", Whitney Museum at Altria, New York |
| | "Strange Magic", Luhring Augustine, New York (June) |
| | "Blackberring", Galleri Christina Wilson, Denmark, (June - August) |
| | "TBA with Cheyney Thompson", curated by Martin Clark, Arnolfini, Bristol, England |
| | Eileen Quinlan, Cheyney Thompson and Lucy McKenzie, Arnolfini, Bristol (July - Sept) |
| | "Silicone Valley", P.S. 1 Contemporary Art Center, L.I.C., NY |
| | "Art Politiquement Engage", organised by Fia Backstrom for In Practice Projects, The Scuplture Centre, New York |
| | "For the People of Paris", Sutton Lane at Ghislaine Hussenot, Paris (cat.) |
| 2006 | "Miroslaw Balka, Eileen Quinlan", Michael Benevento, Orange Group, Los Angeles |
| | "Dice Thrown (Will Never Annul Chance)", Bellwether, New York |
| | "How to Build a Universe That Doesn't Fall Apart Two Days Later", curated by Will Bradley, Wattis Institute, San Francisco |
| | "Just Off Focus", Andrew Kreps, New York |
| | "Thin Walls", Klaus von Nichtssagend Gallery, New York |
| | "Two Friends and so on", Andrew Kreps, New York |
| | "Dereconstruction", curated by Matthew Higgs, Barbara Gladstone Gallery, New York |
| | "United Artists Ltd, IV. (Peter Coffin, Anne Collier, Eileen Quinlan) curated by Michael Phelan, United Artists Ltd, Marfa, Texas |
| | Group Exhibition with Patrick Hill and Florian Schmidt, Galerie Kosak Hall, Vienna, Austria |
| | "Endless Summer", curated by Gyonata Bonvicini, westlondonprojects, London |
| | "Dialog #1: Puzzled", Elena Pankova & Eileen Quinlan, curated by Matthew Higgs, White Columns, New York |
| | "Supports", Roger Björkholmen Galleri, Stockholm, Sweden |
| "Everything beautiful and noble is the result of reason and calculation", curated by Howie Chen and Gabrielle Giattino, The Elizabeth Foundation
Gallery, New York |
| | "Slow burn", curated ArtReviewby Jonah Freeman, Galerie Edward Mitterand, Geneva, Switzerland |
| 2005 | "S&M", Eileen Quinlan and Cheyney Thompson, Sutton Lane, Paris | | "Excitations", arranged by Matt Keegan, Andrew Kreps, New York | | "Bebe le Strange", curated by Rachel Uffner and Barb Choit, D'Amelio Terras, New York |
| | "MFA Thesis Show", Studebaker Hall, Columbia University, New York |
| | "Past Perfect", curated by Francesca DiMattio, Kantor Gallery, New York |
| 2004 | "First Year Show", curated by Ali Subotnik, Eli Wallach Gallery, Columbia University, New York |
| | "Art in the Office", arranged by Matt Keegan, The Global Consulting Group, New York |
| 2003 | "Fresh Meat", curated by Stephen Apicella-Hitchcock, CEPA Gallery, Buffalo, NY |
| 2002 | "Salon V", Curated by Tim Bailey, Oni Gallery, Boston, MA |
| | "Yes, We're Excerpts", Andrew Kreps, New York |
| | "Welcome to the Playground of the Fearless", curated by James Fuentes, Entropy Gallery, New York |
| 2001 | "Life is Elsewhere", Eileen Quinlan and Cheyney Thompson, Canada Gallery, New York |
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SELECTED BIBLIOGRAPHY |
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| 2010 | O’Neill-Butler, Lauren. "Eileen Quinlan", Artforum, Summer |
| | Kley, Elisabeth, "Gotham Art and Theater: Eileenm Quinlan at Miguel Abreu Gallery", Artnet.com, April 23 |
| | Carlin, T.J., "Studio Visit: Eileen Quinlan" Time Out New York, Issue 759, April 15- 21 |
| | Alleti, Vince, "Going On About Town" The New Yorker, April 7 |
| | Clark, Martin. "What To See This Month" Art Review, March |
| 2009 | Quinlan, Eileen, "The Artist's Artists", Artforum, December |
| | Godsill, Benjamin, "The Last Artist", The Last Magazine, Fall issue#3 |
| | Quinlan, Eileen & Beshty, Walead, "Walead Beshty & Eileen Quinlan", BOMBlog, September |
| | Bedford, Christopher. "Depth of Field", Frieze, September issue |
| | Smee, Sebastian. "In the Abstract", The Boston Globe, April 3 |
| | Taft, Catherine. "Overduin and Kite", Artforum, April |
| | Compagnola, Sonia. "Overduin and Kite Ð Los Angeles", FlashArt, March - April |
| | Schad, Ed. "Overduin and Kite", Artslant Los Angeles, January 19 |
| | Lehrer Graiwer, Sarah. "Eileen Quinlan: Downtime", Art Review, March issue |
| | Bergeron, Chris. "Eileen Quinlan’s art pushes photographic boundaries" The Milford Daily News, March 22 |
| | Lowenstein, Kate. "To be Determined", Time Out New York, Issue 699, February 19 - 25 |
| | Brannon, Matthew "Without Baggage, With Pistoletto: Thoughts on Eileen Quinlan's Photographs", Mousse, Issue 16, December - January |
| | Schad, Ed. "Eileen Quinlan at Overduin and Kite" ArtSlant, January 19 |
| 2008 | Bryant, Eric, "The Indecisive Image", ArtNews, March 2008 |
| | O'neill Butler, Lauren. "Eat the Document", Time Out New York, February 14 |
| 2007 | Cotter, Holland. "Eileen Quinlan", The New York Times, December 7 |
| | Smith, Roberta. "Strange Magic", The New York Times, Nov 3 |
| | Carlin, Tova. "Eileen Quinlan, Smoke and Mirrors", Time Out New York, November 1 |
| | Liz Deschenes and Eileen Quinlan, Interview, North Drive Press, Fall |
| | Rosenberg, Karen, "Strange Magic", New York Magazine, July 23 |
| | Eileen Quinlan "Top Ten", Artforum, January |
| | Kessler, Sarah. "Seriality", Artforum.com |
| 2006 | "Dice Thrown (Will Never Annul Chance)", The New Yorker, November 6 |
| | Smith, Roberta."Dice Thrown (Will Never Annul Chance)", Art in Review, The New York Times, November 3 |
| | Doran, Anne."Dice Thrown", Time Out New York, Issue 579, November 2-8 |
| | Stillmann, Nick."Eileen Quinlan", Modern Painters, November |
| | "Eileen Quinlan", Visionaire, October |
| | Velasco, David. "Dereconstruction", Artforum, September |
| | "Eileen Quinlan", Texte zur Kunst, April |
| | Alemani, Cecilia. "Critic's Picks (Review of 'Everything Beautiful and Noble Is the Result of Reason and Calculation')", Artforum.com, February |
| | Robinson, Walter. "Weekend Update", Artnet.com, February 7 |
| 2005 | "Cheyney Thompson et Eileen Quinlan", Paris-art.com, November |
| | "Bright Young Things", Art Review, December 05 |
| 2004 | Huntingdon, Richard. "CEPA's 'Fresh Meat' is a Savory Exhibit" |
| 2002 | Smith, Roberta. "Yes, We're Excerpts", The New York Times, 2 August 02 |
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